Popular Entertainment Studies
| Issue | Title | |
| Vol 2, No 2 (2011) | A ‘genuine display of Ethiopian life’: the Virginia Minstrels at the Manchester Athenaeum | Abstract PDF |
| Jessica H. Legnini | ||
| Vol 6, No 1 (2015) | A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art | Abstract PDF |
| Julieta Infantino | ||
| Vol 4, No 1 (2013) | A Hop, A Frock, A Hairdo: Irene Castle and her Lady Networks of Theatrical Business | Abstract PDF |
| Nic Leonhardt | ||
| Vol 5, No 2 (2014) | A novel route: Circus in the Pacific, 1841-1941 | Abstract PDF |
| Mark Valentine St Leon | ||
| Vol 1, No 1 (2010): Re-defining Popular Entertainments | A Sticky Subject: New Media Popular Entertainments | Abstract PDF |
| Danielle Szlawieniec-Haw | ||
| Vol 7, No 1-2 (2016) | A Voyage to the New World: Viola’s Journey to View Man’s Estate in Shōjo Manga Twelfth Night | Abstract PDF |
| Yilin Chen | ||
| Vol 1, No 1 (2010): Re-defining Popular Entertainments | An Evolutionary Perspective on Live and Mediated Popular Performance | Abstract PDF |
| Bruce McConachie | ||
| Vol 8, No 1 (2017) | Automata and Bêtise: Contamination Anxieties in Late Nineteenth-Century French Mime | Abstract PDF |
| Laura Purcell-Gates | ||
| Vol 3, No 1 (2012) | ‘A Labour Leader in a Frothy Scoundrel’: Farce and Social Justice in the Popular Dramaturgy of George Shiels | Abstract PDF |
| Brenda Winter | ||
| Vol 6, No 1 (2015) | ‘A theatrical meteor’, Francis Nesbitt McCron (c.1808-1853) and his travels from the old world to the Australian colonies and the San Francisco goldfields | Abstract PDF |
| Janette Pelosi | ||
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Popular Entertainment Studies ISSN 1837-9303