Browse Title Index


 
Issue Title
 
Vol 7, No 1-2 (2016) ‘New’ hippodrama, or ‘old’ circus?: legacy and innovation in contemporary equestrian performance Abstract   PDF
Kim Baston
 
Vol 2, No 2 (2011) ‘The best remedy ever offered to the public’: Representation and Resistance in the American Medicine Show Abstract   PDF
Jason Price
 
Vol 2, No 1 (2011) “‘Real Live’ Indian”: Sitting Bull’s Performance of Self in Buffalo Bill’s Wild West Abstract   PDF
Scott Magelssen, Heidi L. Nees
 
Vol 1, No 2 (2010) “Entertaining” the Notion of Change: The Transformative Power of Performance in Argentine Pop Abstract   PDF
Mara Favoretto, Timothy D. Wilson
 
Vol 1, No 2 (2010) “Examine the Contents”: Clowning and Songsters in American Circuses, 1850-1900 Abstract   PDF
Micah Childress
 
Vol 11, No 1-2 (2020) “That Sort of Fairy Tale’s No Use in the New Victorian Age That’s Coming”: The Past as a Metaphor for the Present in Peter Nichols’s Poppy Abstract   PDF
Simon Sladen
 
Vol 4, No 2 (2013) “You base football player”: the rise and significance of the soccer play as index of regional, national and masculine identity, with particular reference to the United Kingdom and Ireland Abstract   PDF
John Bennett
 
Vol 7, No 1-2 (2016) Between Modernism and Japonism: The Mousmé and the cultural mobility of musical comedy Abstract   PDF
Henry Balme
 
Vol 4, No 2 (2013) Beyond Svengali: Contemporary Stage Hypnosis Performance Techniques Abstract   PDF
Cynthia D. Stroud
 
Vol 5, No 2 (2014) Black Fridays: Transatlantic Entertainments and the Racial Construction of Robinson Crusoe’s Man Friday Abstract   PDF
Victoria Pettersen Lantz
 
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Popular Entertainment Studies ISSN 1837-9303