Will Sommers' Suit

Authors

  • John H. Astington University of Toronto

Abstract

The early 1620s print by Francis Delaram of "Will Sommers King Henry's Jester" shows signs of being influenced by a tradition of stage representation of the figure, beginning in earnest in the early 1590s. The Admiral's men and their successors staged at least three plays featuring Sommers, the last and most successful Samuel Rowley's When You See Me You Know Me (c. 1604), a historical romance set in the court of King Henry VIII. The article examines the likely influence of scenes and motifs from this play, which probably held the stage for some time, on the composition and appearance of the Delaram picture, considering both within the context of the certifiable biography and the considerable legend and mythology of Sommers himself. The status of the print as an "illustration of the stage" is given critical attention.

Author Biography

John H. Astington, University of Toronto

John H. Astington is Professor of English and Drama at the University of Toronto. He is the author of books and articles on the early English theatre, and has written on pictures and the stage in Shakespeare Survey, Shakespeare Quarterly, Shakespeare Studies, Medieval and Renaissance Drama in England, and The Oxford Middleton.

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Published

2011-03-31

How to Cite

Astington, J. H. (2011). Will Sommers’ Suit. Popular Entertainment Studies, 2(1), 69–78. Retrieved from https://novaojs.newcastle.edu.au/kulumun/index.php/pes/article/view/43

Issue

Vol. 2 No. 1 (2011)

Section

Articles

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